Posits that a director is the author of a film/television program in the same manner that a writer is the author of a novel. The director is seen as injecting his/her personal artistic vision into a film/television program, and, over time, certain stylistic and thematic tendencies are discernable in the body of the director’s work.
In Marxist terms, the middle class; owners of the means of production and employers of the proletariat.
The staging of the action for the camera. All of the physical objects in front of the camera and the arrangement of those objects by the director. The organization of setting, costuming, lighting, and actor movement. (In French, the term includes an accent: mise-en-scène, but in English-speaking countries it appears both with and without one.)
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